It is not so much what is behind the mask that matters - just as Yeats so
famously describes - as is what is revealed. This is certainly true of
graphical masking techniques in general, and particularly in the case of
Fireworks masks where you have so many options for hiding and revealing your
creations to the world.
A mask is simply a graphical object that is placed on top of another image
and given instructions on how it should interact with its partner. Masks are
always a pair of objects - the masking object and the object that is being
masked. The beauty of masks is that they allow you to change a design or
image without ever changing the image below the mask. You decide how much to
reveal or hide based on your choice of masking object and the way you apply
it.
Fireworks allows you to create masks with either a bitmap image or with a
vector object that you've ... (more)
PowerPoint has been capable of accepting and playing back videos for quite
some time, at least as far back as Office 97. In most cases the process is
quite simple. Go to the Insert menu, click on Insert Movies, and away you go.
At least in theory.
The reality of the situation is that your success with video in PowerPoint
may vary wildly. Sometimes things will play back absolutely perfectly,
especially if you use the same computer with the same operating system to
create and encode the video, create the PowerPoint file, and play back the
slide show. When a single machine is used,... (more)
In last month's article I led off with the same quotation from Yeats. At the
risk of seeming culturally challenged, I'll lead off with it again for the
second treatment of how masks function in Fireworks, simply because it is so
apt.
A mask in a graphical editor like Fireworks (or Flash, among others) has the
same function that Yeats describes to control how much we can see of the
object behind the mask. The interplay between the mask and the mask wearer is
what makes our hearts beat. And of course, when we're dealing with art in any
form we do want to get the hearts of our vi... (more)
I've had a few days now to recover from and reflect on my experiences at this
year's TODCon (a.k.a. "The Other Dreamweaver Conference"), held this year in
Orlando.
I'll talk about the personal and fun side of TODCon near the end of this
article, but for now I'd like to run through those things I learned while
attending sessions, hanging out in the hallways with some of the smart people
in attendance, and in late night conversations at dinner and the hotel pool
bar. All of those add to the experience of TODCon, and you can learn a lot by
simply keeping your ears open and making y... (more)